Curriculum vitae


2025 – SOLO EXHIBITION – Table Vivant: a table that creates connection and connects creation – Antwerp, BE
2025 – CURATED PROJECT – The BBQ, open call graffiti improvisations with food, four editions – Antwerp, BE
2025 – MUSIC – Plot Twist (unreleased) – BE
2025 – PERMANENT PUBLIC WORK – Sorry Flowers (ode to Guillaume Bijl) – Kaasbrug, Antwerp, BE
2025 – PERMANENT PUBLIC WORK – Popcorn Time! – Bredastraat, Antwerp, BE
2024 – FILM – Genevieve Dupont (Realtor alter ego) – BE
2024 – PUBLICATION – Eat This! Not your everyday cookbook (secretly also art book) – Borgerhoff & Lamberigts, Antwerp, BE (waiting for publication)
2023 – PRIVATE RESIDENCE MURAL – The Bridge – Boom, BE
2023 – MUSIC – Carlos (alter ego) performance – Tomorrowland Mainstage Toilets, BE
2023 – GROUP EXHIBITION – Tokyo Biennale, Mycelium mural – Otemachi, Tokyo, JP
2023 – SOLO EXHIBITION – The Wedding – Sint Paulusstraat 23, Antwerp, BE
2023 – SOLO EXHIBITION – Inner Child – Former Raamtheater, Antwerp, BE
2022 – FILM – Welcome Miss. Charlotte De Cock!, The Souidi Sessions #9 – BE
2022 – MUSIC – DJ performance in front of self-portrait EGO STRIPPER – KMSKA, Antwerp, BE
2022 – GROUP EXHIBITION – Anti-war exhibition, nuclear mushroom explosion – Akita University Museum, Akita, JP
2021 – MUSIC – First record released on TrueColors and DJ performance – Royal Museum of Arts, New York, USA
2021 – PERMANENT PUBLIC WORK – Olga Pauwels mural – Ruisbroek, Puurs-Ruisbroek, BE
2021 – PERMANENT PUBLIC WORK – Ode to the Shroom – Tunnelplaats, Antwerp, BE
2021 – SOLO EXHIBITION – A Night With Floyd, paintings and performance – St-Augustine Church, Antwerp, BE
2020 – PERMANENT PUBLIC WORK – Lizzie, Tram 3 mural – Antwerp, BE
2020 – SOLO EXHIBITION – Floyd Goes to Bohm & Berkel – Antwerp, BE
2020 – SOLO EXHIBITION – TheCommon, bridging art and nightlife – Straatsburgdok, Antwerp, BE
2019 – PERMANENT PUBLIC WORK – Steven – Bombay Beach, CA, USA
2019 – PERMANENT PUBLIC WORK – Enter the Floyd – Antwerp South, BE
2019 – PERMANENT PUBLIC WORK – A-STAY Murals, 15 large animal murals – A-STAY Hotel, Antwerp, BE
2019 – PERMANENT PUBLIC WORK – The Pelicans, 45-meter mural – Pelikaanstraat, Antwerp, BE
2019 – GROUP EXHIBITION – North West Walls, invited by Arne Quinze – Rock Werchter, BE
2019 – GROUP EXHIBITION – Tokyo Independent, 634 artists – Geidai University Museum, Tokyo, JP
2019 – SOLO EXHIBITION – The 4th Floor by Charlotte, invited by Stefan Ashkenazy – Petit Ermitage, West Hollywood, CA, USA
2019 – SOLO EXHIBITION – Enter the Floyd – Artists’ residence, Antwerp, BE
2019 – SOLO EXHIBITION – Floyd Nation – Sloveense Wijnen Winter Pop-up, Antwerp, BE
2018 – GROUP EXHIBITION – Bombay Beach Biennale – Bombay Beach, CA, USA
2018 – PERMANENT PUBLIC WORK – Darwin (now demolished) – Meatpack, Antwerp, BE
2018 – PERMANENT PUBLIC WORK – Flipping the Finger – Downtown Los Angeles, CA, USA
2018 – SOLO EXHIBITION – Kutkunst, exhibition in strip club one week before demolition – MYOO, Antwerp, BE
2017 – PRIVATE RESIDENCE MURAL – Joshua Tree – Leuven, BE
2017 – MUSIC – DAOUD – Dust Odyssey, Leaf Stage Tomorrowland – Boom, BE
2017 – FILM – My California, 30-minute film – California, USA
2017 – PUBLICATION – A Journey with Charlotte, documenting ten years of work – Lannoo Publishers, BE
2017 – SOLO EXHIBITION – My California 2, book launch and film screening – Meatpack, Antwerp, BE
2016 – PRIVATE RESIDENCE MURAL – HOWL – Ekeren, BE
2016 – FILM – DAZE TRILOGY – Antwerp, BE
2016 – MUSIC – DAOUD // Desert Child, Rituel: Dans le noir – Paris, FR
2016 – PERMANENT PUBLIC WORK – De Kolonel, beginning of mural practice – Troonplaats, Antwerp, BE
2016 – EVENT – Barefoot Festival, fourth edition, 2000 attendees – Antwerp, BE
2016 – SOLO EXHIBITION – My California – Meatpack, Samberstraat, Antwerp, BE
2015 – EVENT – Barefoot Festival, third edition – Antwerp, BE
2015 – PERMANENT PUBLIC WORK – Lion, 25 Years Café d’Anvers – Café d’Anvers, Antwerp, BE
2015 – PERMANENT PUBLIC WORK – Painting created for Michelin-star restaurant in an old chapel – The Jane, Antwerp, BE
2014 – EVENT – Meet the Makers – Antwerp, BE
2014 – EVENT – Barefoot Festival, second edition – Antwerp, BE
2014 – GROUP EXHIBITION – Amade charity exhibition, La Chasse paintings – Campo, Antwerp, BE
2014 – SOLO EXHIBITION – The Thirteen Masters, opening speech by Luc Tuymans – Studio Koen Van Den Broeck, Merksem, BE
2014 – SOLO EXHIBITION – Native American pt. 2 – Soze Gallery, Los Angeles, USA
2014 – SOLO EXHIBITION – La Chasse, series inspired by fox hunting – Mortsel, BE
2013 – EVENT – Barefoot Festival, birth of the festival organised, built and curated by Charlotte De Cock – Antwerp, BE
2012 – PRIVATE RESIDENCE MURAL – Peony, mural dedicated to peonies – SoHo, New York, USA
2012 – SOLO EXHIBITION – Native American – Soze Gallery, Los Angeles, USA
2012 – SOLO EXHIBITION – (title), digital exhibition – Liverpool Street Station, London, UK
2011 – GROUP EXHIBITION – Group exhibition – Campo & Campo, Antwerp, BE
2011 – GROUP EXHIBITION – Elephant Parade – Emmen, NL
2011 – SOLO EXHIBITION – Native American – WO-MEN IN FINE ART, Antwerp, BE
2010 – PRIVATE RESIDENCE MURAL – The Flower Wall – Meir, Antwerp, BE
2008 – SOLO EXHIBITION – (title), first exhibition featuring Marie-Antoinette paintings inspired by Coppola, later dubbed “Rock Baroque” – Frank Van Laer Gallery, Antwerp, BE

‍Charlotte De Cock
‍Written by Aman Imamura, December 2025

Charlotte de Cock embodies radical autonomy as a way of life. Not art as product, but art as existential act. She is someone who repeatedly creates her own worlds: homes, identities, exhibitions, rituals. To build new structures wherever the existing world falls short. She refuses the role of the artist as operator or provider. She sees herself as a catalyst: a field of energy that sets others in motion.

Her core is transformation through confrontation breaking cycles by first making them hyper-visible. She uses beauty as a trap, humor as a weapon, ritual as leverage. She doesn’t believe in “participation,” but in initiation: anyone who enters her universe steps into a space where ordinary logic is temporarily suspended. Where play and rebellion become the same gesture.

She doesn’t position herself as an artist in a world, but as someone who builds worlds. Spaces where intensity, absurdity, spirituality, punk, and devotion coexist. She doesn’t choose between love and rebellion, between chaos and discipline, between child and alchemist. She is the tension itself. The site where opposites collide and transform.
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What she embodies:
– Radical self-creation: houses become temples, exhibitions become rites, art becomes alchemy.
– The refusal to think small: not a career, but a myth under construction.
– Transparent vulnerability fused with relentless willpower.
– The transmutation of personal trauma into collective ritual.
– A hunger for intensity as fundamental right.
– Always on the fault line: between laughter and tears, ego and surrender, glitter and death-drive.

Charlotte de Cock stands for the possibility that a life can be a work of art and that art is not made to be recognized, but to remake reality.
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‍For sound: https://soundcloud.com/charlottedecockworld

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